Who's still afraid of red, yellow and blue? The most famous abstract painting of the twentieth century has invoked much more than just one response to this provocative question. Fifty years after 'Who's Afraid of Red , Yellow and Blue III', we question the meaning of art over the life of this famous, celebrated and mourned work by Barnett Newman.
director Barbara Visser research Bart Haensel camera Niels van Koevorden sound Tim van Peppen editor Xander Nijsten production management Britte Hermans executive producer JeanMarc van Sambeek producer Monique Busman en Michiel van Erp
'The European' is a behind-the-scenes portrait of Frans Timmermans. Filmmaker Dirk-Jan Roeleven follows him for nearly two years, from his appointment as Vice-President of the European Commission in 2014 to the Brexit referendum. As he is filmed in taxis, planes and cheerless hotel rooms, he talks openly about his assertiveness and the qualities of a good diplomat. After the screening, journalist Marcia Luyten discusses the making of the film with director Dirk Jan Roeleven.
director Dirk Jan Roeleven research Julie van Traa cinematography Rob Hodselmans, Mark Bakker et al. sound recording Benny Jansen, Bouwe Mulder, Sander den Broeder et al. editor Hinne Brouwer colour grading Gerhard van der Beek sound design Rob Dul production managers Britte Hermans, Bram Bax post production Sasha Ourikh editorial executive VPRO Petra Vermeulen producer VPRO Brigit Dopheide commissioning editor VPRO Barbara Truyen executive producer JeanMarc van Sambeek producers Monique Busman & Michiel van Erp
sales agent Taskovski Films - Irena Taskovski - firstname.lastname@example.org - www.taskovski.com
This production was made as a Teledoc-documentary. De Familie Film & TV in coproduction with VPRO, CoBo, Nederlands Filmfonds and NPO
Keep Walking is a portray of young people of color in The Netherlands. How do they see themselves? How do they experience their interaction with white Dutch people? How do they see their future in The Netherlands? To tell this story, Karin Junger created a 'pressure cooker' by bringing her children and their friends together in a house for a week and ask them to re-enact their experiences for the camera. She used drama therapy techniques so that they really go through the experiences again so you can see and feel how it affects them.
director Karin Junger cinematographyAdri Schrover, Jurgen Lisse sound recording Mark Wessner, Diego van Uden editorMaurice Bedaux production manager Bram Bax production assistant Mylene Esmeijer executive producer JeanMarc van Sambeek producers Monique Busman, Michiel van Erp
Keep Walking is a film by De Familie Film & TV in cooperation with IKON and support of the CoBO, Mediafonds, VSB-fonds, Fonds21 and Stichting Democratie en Media.
International motorcycle gang Satudarah frequently makes the headlines in Holland, Spain, Germany and Indonesia because of alleged criminal activities. The club is also said to be at war with the Hell's Angels. Like with all outlaw motor gangs, the secretive world of Satudarah is notoriously difficult to enter. EMMY- and BAFTA-winning filmmakers Joost van der Valk and Mags Gavan were given unique access to the club. Their film shows not only the violence embedded within its culture but also the more fragile side of its members. Trailer:
Satudarah-One Blood was broadcasted juni 22, 2015 at NPO2.
This production was made as a Teledoc-documentary. De Familie Film & TV in coproduction with CoBo, Nederlands Filmfonds and NPO
Volkskrant - 23 juni 2015
My fucking problem
My fucking problem is a documentary about four women for who penetration is painful. One of these women is the director. The impact of the handicap is big. A lot of women undergo therapy to find out what exactly is going on down there. They have to make difficult decisions in their love-life. Their image of themselves is thoroughly damaged.
What does is feel like to miss out on something tof which you can only imagine what it is like through what you hear from others and see in the media? An image that is far from reality. Why wouldn't you be able to be happy without penetration? How important is it really?
Director Anne van Campenhout
Producer Monique Busman, Michiel van Erp
My fucking problem is a film by De Familie Film & TV in cooperation with BNN and with support of CoBofonds.
The Empty City
The Empty City is a coming-of-age story about friendship, desires, and growing up. Set in the noisy, boundless state of freedom called Amsterdam student life, third year student Philip Hofman slowly sees his future collapse. Philip, a well-behaved boy with a long-term girlfriend named Elisabeth, comes to realise that there is another darker and more sexual person hidden away inside of him.
All raised in affluent but broken families and dominated by successful fathers, Philip and his best friends Matt and Jacob struggle with relationships and their mutual friendship. Jacob's suicide makes everything come to a head: does true friendship allow room for secrets? Is love fragile, or can it take a punch?
And most importantly: is it possible to escape your parents'shadow while you seek answers to these questions?
The Empty City is a story about the loss of illusions, the shame of looking in the mirror, and answering the question: 'who am I, really?'
A film by Michiel van Erp Screenplay Philip Huff
AVROTROS en De Familie Film & TV Phanta Film, Eyeworks Belgium, The Netherlands Film Fund